Rising Artist Spotlight: An Interview with Coilguns

Photos courtesy of Andy Ford and Coilguns UCLA Radio’s Rising Artist Spotlight aims to highlight upcoming artists who have demonstrated unique creativity and talent through their music. Through interviews and features, we delve into their journey, influences, and aspirations, giving listeners a glimpse into the future of music. Initially hailing from the DIY hardcore scene,…

An Interview with Hello Mary

Hello Mary is Helena Straight (guitar/vocals), Stella Wave (drums/vocals), and Mikaela Oppenheimer (bass). The NYC-based rock band has made a name for themselves with three unique, memorable records, a Rolling Stone feature, and tours with alternative music greats like American Football. We met virtually for an interview ahead of their first headlining tour for their…

Rising Artist Spotlight: An Interview with The Internet is Dead Podcast

UCLA Radio’s Rising Artist Spotlight aims to highlight upcoming artists who have demonstrated unique creativity and talent through their music. Through interviews and features, we delve into their journey, influences, and aspirations, giving listeners a glimpse into the future of music. Rising Artist Spotlight notoriously highlights musicians who we believe are the next generation of…

Trench 01: A DJ Night Curated by Audrey Nuna

In a city where it sometimes feels like everyone’s already on the VIP list, there’s something magical about finding your inner star in a crowd full of strangers. That’s exactly what happened for me at Trench 01, Audrey Nuna’s electrifying DJ-curated event in celebration of her upcoming album. And with a roster like Brian Vidal,…

GROUND CONTROL TOURING PRESENTS: SECOND ANNUAL ABORTION ACCESS BENEFIT SERIES @ The Lodge Room [1/20/24]

Improvised, created on-the-spot EDM from Reggie Watts, synchronized hitch kicks from the “anti-rock” Faux Real, dramatized undulations from Actually Huizenga of Patriarchy as she ran her tongue over an unsuspecting mic stand. With a diverse lineup embodying the DIY, the avant garde, and the sensational, the artists of the Annual Abortion Access Benefit Series appeared to have taken Watts’ meditations to heart, utilizing their talents to directly or indirectly protest the United States government’s usurpation of women’s bodies.