GROUND CONTROL TOURING PRESENTS: SECOND ANNUAL ABORTION ACCESS BENEFIT SERIES @ The Lodge Room [1/20/24]

Improvised, created on-the-spot EDM from Reggie Watts, synchronized hitch kicks from the “anti-rock” Faux Real, dramatized undulations from Actually Huizenga of Patriarchy as she ran her tongue over an unsuspecting mic stand. With a diverse lineup embodying the DIY, the avant garde, and the sensational, the artists of the Annual Abortion Access Benefit Series appeared to have taken Watts’ meditations to heart, utilizing their talents to directly or indirectly protest the United States government’s usurpation of women’s bodies.

Album Review: Rejected Fish

Written by Candace Fernandez I’ve never believed endings to be as finite as their temporal close. Rather, endings seem to work in emotional waves, where moments of memory and irrecollection evade our own realms of understanding and exist in a state of perpetual motion. For Åsa Söderqvist, the Swedish artist behind the musical project ShitKid,…

Columbo Album Review

I have been a listener of Bruno Major since his 2017 album, A Song For Every Moon. His ambient musical style allows a person to sink into each song, landing at least one of his songs on almost all of my playlists. Columbo is Major’s third studio album and is arguably the most minimalist member…

Rediscovering Taylor Swift’s “reputation”

On November 10th, 2017, Taylor Swift released an album like nothing the world had heard from her before. A far cry from her clean-cut country days, reputation was enigmatic, glittering, and expansive. On the album’s lead single, “Look What You Made Me Do”, Swift leaves us an unapologetic voicemail: “I’m sorry, the old Taylor can’t…