Lights, Camera, Shoot: A Conversation with Dan Froot

Written by Lily Stockton Dan Froot and Company is a collective theatre ensemble actively answering pressing sociopolitical questions. Their current project, Arms Around America, is a constellation of short plays about families whose lives have been shaped by guns. The project aims to engage audience members in a larger discussion surrounding not only what guns…

Trench 01: A DJ Night Curated by Audrey Nuna

In a city where it sometimes feels like everyone’s already on the VIP list, there’s something magical about finding your inner star in a crowd full of strangers. That’s exactly what happened for me at Trench 01, Audrey Nuna’s electrifying DJ-curated event in celebration of her upcoming album. And with a roster like Brian Vidal,…

RiTchie @ The Echo [5/30/24]

By Brooke Ortiz Photos by Navya Duggirala I catch RiTchie at The Echo on the last stop of his Triple Digits [112] tour on a Tuesday evening. On the other side of the same block, twentysomethings in dark jackets file into the subterranean sister venue Echoplex for Fleshwater, another Nth-wave shoegaze or post-hardcore band riding…

Xavi @ The Novo

As I walked down LA Live, the streets were flooded with lines, merchandise vendors, food vendors and a lot of security. Initially I had thought to myself, “Perhaps there’s a concert at the crypto arena tonight.” But in reality the line, filled with fans and latino news channels, was for the Novo theater. As you…

Ryan Beatty @ The Wiltern [3/15/24]

“It’s brave to be nothing to no one at all.” “Ribbons” – Ryan Beatty An ironic line from singer Ryan Beatty, who catapulted himself to fame in his mid-teens co-signed by Radio Disney and Ryan Seacrest. After he took a hiatus from music for three years to break away from his teen heartthrob image, he…

GROUND CONTROL TOURING PRESENTS: SECOND ANNUAL ABORTION ACCESS BENEFIT SERIES @ The Lodge Room [1/20/24]

Improvised, created on-the-spot EDM from Reggie Watts, synchronized hitch kicks from the “anti-rock” Faux Real, dramatized undulations from Actually Huizenga of Patriarchy as she ran her tongue over an unsuspecting mic stand. With a diverse lineup embodying the DIY, the avant garde, and the sensational, the artists of the Annual Abortion Access Benefit Series appeared to have taken Watts’ meditations to heart, utilizing their talents to directly or indirectly protest the United States government’s usurpation of women’s bodies.