“The inferno of the living is not something that will be; if there is one, it is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for many: accept the inferno and become such a…
Photos by Jeslyn Wang A song online is curated to sound its best. Every step from the recording, to the editing, to how the headphone company handles frequencies is made to amplify the listening experience. It’s extremely hard to match the online sound quality in person, and even harder to add another layer to it.…
“It’s brave to be nothing to no one at all.” “Ribbons” – Ryan Beatty An ironic line from singer Ryan Beatty, who catapulted himself to fame in his mid-teens co-signed by Radio Disney and Ryan Seacrest. After he took a hiatus from music for three years to break away from his teen heartthrob image, he…
On a drizzly night in March, the debauched and profane of Los Angeles gather at the Fonda Theater to witness the dark angelic voice of “BDSM Pop” from Sweden, COBRAH.
Otoboke Beaver @ The Belasco [3/2/2024] Photos by Chloe Gonzales I visited Japan for the first time last winter. Roaming around Kabukicho and walking past multiple cabarets flaunting their sexiest, most profitable hostesses, I slowly began to realize just how much of a commodity female sexuality has become in cities like Shinjuku. Of course, this…
Perhaps that ethos is what makes Wyatt Shears’ music (produced under the moniker, Enjoy) so hard to define, an amalgamation of breakneck punk, quirky electronic synths, and a prickly acoustic guitar; a Johnny Cash song on crack produced under brothers Wyatt and Fletcher Shears’ label, Vada Vada.
Kid Bloom, otherwise known as Lennon Kloser, kicked off his Inner Light Tour at El Rey tonight, promoting his upcoming album, aptly titled “Inner Light.” Back in the fall, Kloser released his EP “Shaky Knees,” (read more about it in our interview here!) which included the darker points of his upcoming album. Tonight, the audience…
One with the crowd, dare I say my prior alienation was somewhat relieved, my existence now seeming more a testament to music’s timeless appreciability than the intrusion of an unschooled youth. The Immediate Family has that effect–of making accessible such supreme talent so that the audience too, becomes part of the family.
It’s easy to be charmed by Say She She. I was out on a walk around my neighborhood in Mid City with KCRW on my headphones, to take in the sunshine all while I avoided the geology textbook on my desk, when I first listened to “Prism.” The titular track from their debut reeks of…
Improvised, created on-the-spot EDM from Reggie Watts, synchronized hitch kicks from the “anti-rock” Faux Real, dramatized undulations from Actually Huizenga of Patriarchy as she ran her tongue over an unsuspecting mic stand. With a diverse lineup embodying the DIY, the avant garde, and the sensational, the artists of the Annual Abortion Access Benefit Series appeared to have taken Watts’ meditations to heart, utilizing their talents to directly or indirectly protest the United States government’s usurpation of women’s bodies.