Album Review: Bright Future

Written by Kayalani DeGrave With the U.S. tour of Bright Future beginning on June 9th, 2024, it seems only fitting to discuss Adrianne Lenker’s newest solo studio record, an album rooted in emotional intimacy, storytelling, and carefully crafted poetic lyrics. You may know the 32-year-old indie-folk artist as the lead vocalist and songwriter for the…

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Album Review: Unrecognisable

Written by Candace Fernandez For Estonian-born artist Alina Astrova, music is a channel for abstraction. Releasing solo tracks under the alias’ Lolina and Inga Copeland since 2014, as well as collaborating with Dean Blunt on Hyper Williams since 2011, the nonlocality of Astrova’s musical identity is mirrored in the indistinction of her sound. While her…

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GROUND CONTROL TOURING PRESENTS: SECOND ANNUAL ABORTION ACCESS BENEFIT SERIES @ The Lodge Room [1/20/24]

Improvised, created on-the-spot EDM from Reggie Watts, synchronized hitch kicks from the “anti-rock” Faux Real, dramatized undulations from Actually Huizenga of Patriarchy as she ran her tongue over an unsuspecting mic stand. With a diverse lineup embodying the DIY, the avant garde, and the sensational, the artists of the Annual Abortion Access Benefit Series appeared to have taken Watts’ meditations to heart, utilizing their talents to directly or indirectly protest the United States government’s usurpation of women’s bodies.

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Album Review: Rejected Fish

Written by Candace Fernandez I’ve never believed endings to be as finite as their temporal close. Rather, endings seem to work in emotional waves, where moments of memory and irrecollection evade our own realms of understanding and exist in a state of perpetual motion. For Åsa Söderqvist, the Swedish artist behind the musical project ShitKid,…

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