GROUND CONTROL TOURING PRESENTS: SECOND ANNUAL ABORTION ACCESS BENEFIT SERIES @ The Lodge Room [1/20/24]

Improvised, created on-the-spot EDM from Reggie Watts, synchronized hitch kicks from the “anti-rock” Faux Real, dramatized undulations from Actually Huizenga of Patriarchy as she ran her tongue over an unsuspecting mic stand. With a diverse lineup embodying the DIY, the avant garde, and the sensational, the artists of the Annual Abortion Access Benefit Series appeared to have taken Watts’ meditations to heart, utilizing their talents to directly or indirectly protest the United States government’s usurpation of women’s bodies.

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Album Review: Rejected Fish

Written by Candace Fernandez I’ve never believed endings to be as finite as their temporal close. Rather, endings seem to work in emotional waves, where moments of memory and irrecollection evade our own realms of understanding and exist in a state of perpetual motion. For Åsa Söderqvist, the Swedish artist behind the musical project ShitKid,…

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Leave It Be

Review of “Alice Hyatt” by Damien Jurado Damien Jurado’s new single, “Alice Hyatt,” rejects attempts to perfect the imperfect and urges us to move on.  In May, the prolific folk artist will be releasing his fifteenth album, What’s New Tomboy. “Alice Hyatt” is one of two singles Jurado released this past month to give his…

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