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GROUND CONTROL TOURING PRESENTS: SECOND ANNUAL ABORTION ACCESS BENEFIT SERIES @ The Lodge Room [1/20/24]

, , By Ava LondonLeave a comment

Improvised, created on-the-spot EDM from Reggie Watts, synchronized hitch kicks from the “anti-rock” Faux Real, dramatized undulations from Actually Huizenga of Patriarchy as she ran her tongue over an unsuspecting mic stand. With a diverse lineup embodying the DIY, the avant garde, and the sensational, the artists of the Annual Abortion Access Benefit Series appeared to have taken Watts’ meditations to heart, utilizing their talents to directly or indirectly protest the United States government’s usurpation of women’s bodies.

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The Un/Ending Potential of UCLA Dance

, By Angel Perez

Since the beginning of winter quarter, twelve graduating dance majors have been choreographing original pieces for UCLA’s Department of World Arts and Cultures/Dance showcase. Titled “un/ending,” these performances represent not only the culmination of the class of 2023’s undergraduate education but also a celebration of their immense talent and individuality.

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A Subtle Revolt

By Amber Xu

Against a backdrop of a biblically proportional man-made drought, the quiet detritus of human anguish that tumbles down empty sidewalks, and a garish peacocking of wealth native to the region of Los Angeles, there’s an ambient sense of unease in the air.

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concatenation: january 23

By Skye Schoenhoeft

art by skye schoenhoeft In March of 2019, I made a playlist with new music I found that month. It wasn’t curated, it wasn’t ordered, it was just songs I liked, in the arrangement I found them in. No matter what has happened, I have stitched something together to remember each month since.  Often, looking…

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